Not sure I included this oil plein air painting that I did at the cemetery at Somesville, Maine in my previous post. Not a typical place to paint but I couldn't help it, it was just a very beautiful spot. I especially like the hydrangea's that set off the tombstones in this painting.
Tuesday, September 16, 2014
MAINE INSPIRATION
I think that Maine has gotten in my blood. I truly miss it and its only been a short while. When I was in Southeast Harbor, Maine I took a boat ride and saw this lighthouse and was taken by it. I worked in pastel trying to capture what I had seen that day. Since I live in Florida it is a real treat to be able to work on a piece that has such extreme perspective. I think that is what I miss most about not being in Maine and that is the scale and the drama of the landscape. Enjoy!
Sunday, September 14, 2014
SNOWFARM WORKSHOP, WILLIAMSBURG, MA
I just got back from giving my watercolor workshop at SnowFarm in Massachusetts. Below are some photos from that journey that includes a two shots of my wonderful students that attended. If any one has a chance to spend of week at SnowFarm it is an experience that you will not forget. It is a wonderful experience to spend a week immersed in your art making, meeting new people and just having a good time.
Below are two paintings that I did to illustrate principles that I was teaching. People relate the most to the contrast of lights and darks. The greater you can stretch those values the more the viewer will respond. The greater you can stretch the contrast of temperature within the work the more people will also respond. Hue is the least important of the three. The inexperienced artist always spends way to much time trying to match color exactly as it is seen. Through value and temperature one can give the work its emotional language that the viewer can read.
Below are two paintings that I did to illustrate principles that I was teaching. People relate the most to the contrast of lights and darks. The greater you can stretch those values the more the viewer will respond. The greater you can stretch the contrast of temperature within the work the more people will also respond. Hue is the least important of the three. The inexperienced artist always spends way to much time trying to match color exactly as it is seen. Through value and temperature one can give the work its emotional language that the viewer can read.
Monday, September 1, 2014
MAINE PLEIN AIR WORKSHOP 2014
I just completed the plein air workshop that I gave on Desert Island in Maine. The weather was absolutely perfect, the locations gorgeous, the participants a delight and of course the lobster to die for. No matter where you look there is a painting waiting to be painted.
My watercolor interpretation of this wonderful house. This house was used in the film "The Perfect Storm".
I did this little watercolor demo piece in Bar Harbor at the Shore Path. An absolutely lovely spot with a rocky shore, great combination of green foliage and a beautiful view of the ocean.
This was a little oil study I did in Bass Harbor of a path that led to the harbor shore. Loved the little planter with the red flowers in it and the dark shade that framed it.
My watercolor interpretation of this wonderful house. This house was used in the film "The Perfect Storm".
Below are pictures of some of the participants (sorry I didn't get everyones photo) and more views of the island. Enjoy.
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Painting in Cortona
Painting of View of Cortona Valley
Cortona Italy Workshop
The workshop was a very successful and met everyones expectations. The Villa di Piazzano was an outstanding small hotel that lived up to its rating of four stars. The staff was very accommodating and helpful. Our tour excursions to Florence, Sienna and Montepulciano were very fun and helped to take the participants minds off of the pressure of producing a painting.
I am currently in the planning stages of producing my next workshop and if anyone would like to be put on the list of perspective participants please email me at tedmatz@comcast.net
The pictures below will give you taste of our Plein Air Painting Adventure.
Plein Air Passion
My real passion is for plein air painting. Love the challenge that you have to deal with when painting outside. I personally think it makes you a better painter because you have to deal with so many unforeseen circumstances that come your way but also you have a better handle on light, darks and textures that you don't get from working in a studio and from photos. The following is a sample of some of my most recent work done en plein air. This painting is currently being shown in a group show at the Palm Beach County Cultural Council in Lake Worth, FL and runs through the middle of September, 2013.
Apoxee Landscape
Four Arts Lily Pads One
Four Arts Lily Pads Two
Still Life
I generally do still lives as exercises and demonstrations for my painting classes. Featured below are samples of those pieces.